Panel 2: Not fond of those open speed lines overlapping the tumbling Anglerfish Guy, as they would normally be used in such a context to convey motion away from the camera, not toward it. Oh, well.

Behold a rare bit of intentional tangency between visual elements in panels 4 and 5, as those two swirls of energy were deliberately lined up at the panel gutter in an attempt to guide the eye from one side of the page to the other.

-Adam Warren